In Beirut, more often than not, the grid trembles out of sequence: infrastructures falter and crumble, abandoned plots interrupt the urban fabric, electricity flows in unstable currents, and memory and labor slip out of view. Artists Ayman El Iskandarani and Lara Saab meet within this fragile terrain, with each proposing an inquiry into how extraction and depletion shape what is kept, what is abandoned, and what slowly becomes invisible over time.